One thing I’ve noticed recently, as I’ve picked up working on my novel again, is the relative difficulty I seem to have in writing normal prose and writing a comic script.

Theoretically, they’re very similar. You need to work out the plot, how the characters fit into and affect that, and how the characters relate to and interact with each other. You need to fit the whole thing into a timeline, and you need to distribute that timeline across the entirety of the story so as to ensure that the reader feels neither rushed nor held back.

Beyond that, the experience (for me) is radically different. I can easily execute a comic script from plot notes; It’s relatively straightforward for me to envision the scene in my head and work out exactly what actions I need the actors to do, how they should converse and what they need to say. I really struggle to do the same for a novel, and I’m really not sure why.

I think fundamentally it’s down to the key differences between the two media; In comics, I can specify what things in the story LOOK like, directly and without faffing around. In a novel, I feel that perhaps I need to expound the appearance, texture, meaning of objects that should otherwise be described once and left. I feel uneasy with whatever level of detail I assign to the setting, and I’m always acutely aware of how artifical the dialogue is.

Perhaps, as with all things, it’s simply down to experience; I’ve written several comic scripts now, and so am very comfortable in employing them as an artist medium. The written novel is still something I have yet to complete, and so is something that I require substantial amounts of practice in; Perhaps I just need to continue hammering it and getting critiques on it? Or, as I have previously considered, perhaps I should compose it as a comic-style script first, and rework it into a written narrative?

Thoughts, anybody?

M.